19.7.17

Elza Laranjeira - A Musica de Jobim e Vinicius (1963)

RGE XRLP 5188

01. Só Danço Samba (Tom Jobim / Vinicius de Moraes)
02. Samba do Avião (Tom Jobim)
03. Sem Você (Tom Jobim / Vinicius de Moraes)
04. Corcovado (Tom Jobim)
05. O Amor Em Paz (Tom Jobim / Vinicius de Moraes)
06. Por Toda A Minha Vida (Tom Jobim / Vinicius de Moraes)
07. Canção Em Modo Menor (Tom Jobim / Vinicius de Moraes)
08. Serenata do Adeus (Vinicius de Moraes)
09. Derradeira Primavera (Tom Jobim / Vinicius de Moraes)
10. Valsa do Amor de Nós Dois (Tom Jobim / Vinicius de Moraes)
11. Andam Dizendo (Tom Jobim / Vinicius de Moraes)
12. Canta, Canta Mais (Tom Jobim / Vinicius de Moraes)

TOM AND VINICIUS FROM ANOTHER REALITY

Créditos: ?

REVIEW by Brazilliance:

One of the finest singers of her time and one of the finest albums of the era – a master’s class of immaculate beauty and perfection.

Such a pity that this was also Elza’s final solo effort. However, she certainly ended her career with a bang since this is a landmark album showing her at the height of her refined artistry backed by exquisite arrangements by Waldemiro Lemke, Erlon Chaves and Ruben Perez ‘Pocho’.

Besides, this album is noteworthy for introducing four songs by Jobim/Moraes on record:

The iconic “Só Danço Samba” and “Samba do Avião”, released on single in October 1962 before included on this album, were introduced in August 1962 by Antônio Carlos Jobim, Os Cariocas and João Gilberto in the historical concert series later bootlegged as “O Encontro au ‘Bon Gourmet’” before featured in the movie Copacabana Palace in November 1962, thus after Elza’s release.

In addition, this album features the first recordings of “Canção em Modo Menor” and “Andam Dizendo” and the first and only recording of “Valsa do Amor de Nós Dois”.

2 comments:

  1. One of the finest singers of her time and one of the finest albums of the era – a master’s class of immaculate beauty and perfection.

    Such a pity that this was also Elza’s final solo effort. However, she certainly ended her career with a bang since this is a landmark album showing her at the height of her refined artistry backed by exquisite arrangements by Waldemiro Lemke, Erlon Chaves and Ruben Perez ‘Pocho’.

    Besides, this album is noteworthy for introducing four songs by Jobim/Moraes on record:

    The iconic “Só Danço Samba” and “Samba do Avião”, released on single in October 1962 before included on this album, were introduced in August 1962 by Antônio Carlos Jobim, Os Cariocas and João Gilberto in the historical concert series later bootlegged as “O Encontro au ‘Bon Gourmet’” before featured in the movie Copacabana Palace in November 1962, thus after Elza’s release.

    In addition, this album features the first recordings of “Canção em Modo Menor” and “Andam Dizendo” and the first and only recording of “Valsa do Amor de Nós Dois”.

    ReplyDelete

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